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<\/a><\/p>\nSHORT TAKE:<\/p>\n
Inventively staged, skillfully acted, and adroitly directed British comedy, the classic Noises Off<\/em> by Michael Frayn, a play within a play at Lake Charles Little Theatre<\/a>, showing from September 13 through September 29, 2019. GET YOUR TICKETS HERE!<\/a><\/p>\n WHO SHOULD GO:<\/p>\n Mid to upper teens and older for mildly sexual topics done in (almost) completely innocent fun. Nothing is shown and language is very mild. Younger than mid-teens should be parentally previewed and depend upon the child.<\/p>\n LONG TAKE:<\/p>\n The clockwork details require talented hands and this brilliant LCLT troupe manuever like the Blue Angels on stage with, collectively, over a hundred years of tenured experience amongst them. You will recognize most, if not all, of the performers.<\/p>\n Accessories to the insanity are: James Johnson as set decorator, Dan Sadler as Technical Consultant, Jonathan in lighting, David Wynn from KBYS for sound, and Liz Trahan who was kind enough to put together the ingeniously crafted program.<\/p>\n {NOTE: In an effort not to spoil the show I’m holding off on some of the photos, but will release them all after the run of the show.}<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"<\/a>Move over James Brown. The hardest working people in show business are the\u00a0 actors performing Noises Off<\/em> at The Lake Charles Little Theatre from Friday night September 13 through Sunday matinee September 29, 2019.<\/p>\n<\/a>I’m going to try hard not to give anything away because you need to see this fast paced, clever and hilarious play with the fresh eyes this dynamic and brilliant cast, crew and director deserve to get. <\/a>Not only is there a lot going on but this is the kind of play which is so funny and well written, and this version so energetic and professionally conceived, you’ll want to see it more than once. <\/a>I saw Noises Off<\/em> on stage years ago and the movie with Michael Caine several times but familiarity only made this witty badinage funnier and this iteration\u00a0had me laughing from curtain up to curtain call.<\/p>\n<\/a>The set is incredible – probably the most challenging I have ever seen at LCLT – and I can’t think of a soul in the world I would have trusted more to build it than LCLT’s own Randy Partin. Built by Mr. Partin in 110 hours over six weeks as a labor of devotion to this Theatre, it is one of, if not THE most ambitious sets LCLT has ever used. <\/a>Seven (or eight depending how you define them) crucial entrance\/exit portals in a two story parlor of a large off season bed and breakfast provides the setting of this raucous comedy as an ensemble cast rehearse and perform the first act of a British sex farce called Nothing On<\/em> – a play within the play. The set is as much of a character as the performers.<\/p>\n<\/a>As though channeling Led Zepplin’s “Stairway to Heaven” or Ike and Tina Turner’s “Proud Mary”, Noises Off<\/em> begins gently – or I should say with that certain inherent gentility of an innately British parlor comedy – as the characters and their quirks are introduced. <\/a>Then slowly the action builds over three acts to Mad Mad World<\/em> levels of freneticism as tempers flare, <\/a>sleepless nights take their toll, personalities clash, and jealousies rage amidst the over worked, under prepared thespians, who desperately struggle to make some sense of a timing-crucial confusing play and their own even more befuddled love lives. <\/a>A tagline I once read sums it up nicely: “The drama! The suspense! And the curtain hasn’t even gone up yet!”<\/p>\n<\/a>It takes a truly brilliant actor to play the fool – Jerry Lewis, the stooge and buffoon on stage and screen, was actually the brains and organizer of the Lewis-Martin team. Stan Laurel, on film and in vaudeville the ever whining, clueless whipping boy for Oliver Hardy was, in truth, the author of most of the routines and\u00a0genius behind their success. <\/a>Similarly, it takes virtuoso coordination and intricately planned team effort to appear to get wrong a play which, itself, is suppose to require flawless timing.<\/p>\n<\/a>Brett Downer is the brave soul who directed this enormously challenging Russian nesting doll of a play which relies on timing, entrances, exits, and … sardines.<\/p>\n<\/a>Heather Partin is Belinda\/Flavia, the mediator of the beleaguered troupe. If you have EVER been to LCLT or a community band concert you will likely have seen Heather. <\/a>Her resume is impressive, ranging from Nunsense<\/em> to MacBeth,<\/em> devoted wife of Randy, and costume designer for the show.<\/p>\n<\/a>Paula McCain, most recently from Mamma Mia!<\/em> but debuting with LCLT here, she plays Dotty\/Mrs. Clackett, <\/a>financially desperate for Nothing On<\/em> to succeed and the center about which much of the interpersonal friction is created amongst the cast.<\/p>\n<\/a>Greg Stratton, playing to type, is Lloyd, the director of this play within the play, who is part teacher\/father-figure, part chaos instigator, whose mind isn’t always on the job at hand.\u00a0\u00a0\u00a0\u00a0\u00a0 <\/a>\u00a0Greg teaches Mass Com at McNeese, has been acting and directing for decades from the nostalgic comedy Laughter on the 23rd Floor<\/em>\u00a0to the tongue-in-cheek mystery The 39 Steps<\/em>.<\/p>\n<\/a>The loveable and reliable but hopelessly insecure Garry\/Roger is played by Michael Davis, <\/a>a singer, actor, dancer and video producer, most recently in LCLT’s Pump Boys and Dinettes<\/em>.<\/p>\n<\/a>Rebecca Harris, having sparkled in ACTS Theatre’s Arsenic and Old Lace<\/em>, <\/a>is sweetly ditzy Brooke\/Vicki who soldiers on no matter the obstacles in her own guileless way.<\/p>\n<\/a>Angela Martin debuts with Lake Charles Little Theatre as Poppy, the devoted but under appreciated, both on and off stage, assistant stage manager.\u00a0 <\/a>While debuting here in her first speaking part Ms. Martin nonetheless has an impressive set of credentials which include a stint with London’s West End! not to mention being married to castmate Cary Martin.<\/p>\n<\/a>Cary Martin is our own prodigal son, last at LCLT 20 years ago, but returning to the fold as Frederick\/Philip, <\/a>a well-meaning but daft and perpetually confused soul.<\/p>\n<\/a>Cameron Scallon, veteran of LCLT and lately one of the leads in Bye Bye Birdie,<\/em> plays Tim, of necessity the resident Jack of all trades, the <\/a>exhausted and threadbare stage manager, who is constantly plugging up holes in this leaking levee with not enough fingers to go around.<\/p>\n<\/a>Gary Shannon on stage is the amiable but constantly drunken Selsdon\/Burglar and in real life is the morning drive show radio host for KHLA, host of KBYS’ Sunday morning Jazz Show, long time veteran of community theater and independent film makers here in Lake Charles, <\/a>and who\u00a0 some years ago, I saw perform an amazing Willie Loman from Death of a Salesman<\/em> with only a scant few weeks preparation.<\/p>\n<\/a>Aaaaaaaaaaand not to discourage audience members from either buying concessions or hitting the “loo” but you’ll really want to stay for at least part of the scene changes during intermission.<\/p>\n<\/a>So for the most fun you’ll have this side of your best friend’s wedding, go see Noises Off<\/em> at Lake Charles Little Theatre. <\/a>You can CALL 337433-7988, buy tickets at the door or get them HERE<\/em><\/a>. And plan to go\u00a0early in the run the first time, as you’ll likely want to see it again.<\/p>\n<\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a> <\/a><\/p>\n