HURRICANE HEIST – EDGE OF YOUR SEAT POPCORN COMBO DISASTER/CRIME THRILLER

SHORT TAKE:

Hurrricane Heist is Twister meets Den of Thieves in this well written taut thriller.

WHO CAN GO:

Some language and a lot of violence – most of it natural disaster – would bump this up to an older teen minimum, but there is no sexual content, blasphemy or nudity.

LONG TAKE:

Estranged brothers Will (Toby Kebbell from Kong: Skull Island as both one of the soldiers AND Kong, and Masada in the recent Ben Hur), a meterologist in Alabama and Breeze (Ryan Kwanten) an ex-Marine shared a childhood trauma with a hurricane. Now living on the coast they must join forces with a Treasury agent, Casey (Maggie Grace – Liam Neeson's daughter in all the Taken movies, the doomed vampire in Twilight: Breaking Dawn and a damsel in distress in the sci fi thriller Lockout) to stop a team of ambitious thieves endeavoring to steal $600 million worth of used bills from a coastal mint facility in a sleepy Alabama town just as a Cat 5 hurricane hits. Cut off from the outside and virtually alone the three take on an entire well planned crew of professional thieves and corrupted law enforcemant agents.

Each plot line alone – the heist and the hurricane – would make an interesting story. Combined it is a lot of fun. Creativity, after all, is not inventing anything genuinely new. There is really nothing new under the Sun. Creativity is taking two or more existing things and putting them together in a new and creative way. 

Kebbell and Kwanten do reasonably respectful justice to the Southern Alabama accents despite being from England and Australia, respectively.  The hurricane scenes are pretty darned realistic and frightening as the storm builds exponentially and the characters play cat and mouse with each other through the town, dodging flying cars and the storm surge.

This is just a good old fashioned shoot 'em up bang bang against a backdrop of one of the most convincing looking hurricanes I have seen since — well since our family lived through one.

Seguing to a personal note, I grew up in New Orleans. My Dad was a member of the C.A.P., (Civil Air Patrol), had a ham radio and couldn't wait for hurricane season to begin. Every year we would put masking tape on the windows at the alert of a coming storm. It was almost like seasonal decorations. Christmas season you bought presents and put up a tree. Easter season you would buy chocolate bunnies and put out baskets of candy. Hurricane season you stocked up on batteries and taped up your windows. The tape not only didn't ever do a lick of good at either scaring away hurricanes or protecting your windows, but it was a bear to get off after it had partially melted in the summer heat, usually requiring a straight razor, and a considerable amount of elbow grease.

In 1965 our family  stayed through Betsy. Because of my Dad's foresight and planning, we lived on the highest ridge in Metairie in a brick house as hurricane proof as our Dad could build it. Betsy huffed and puffed but didn't get anywhere. Our Dad was an electrical engineer and had our house and two neighbors hooked up to a generator.  I remember our Dad using his ham radio to contact the authorities as a laison for the community. I also remember eating mustard sandwiches because that's all that was left in the kitchen after the electricity went out and the grocery store was delayed in opening. I remembered it being quite fun and exciting – except for that short period in which our dog had to do her business outside and I was petrified she would be blown away.

In 2005 our family survived Rita. By this time the gravity of such a storm had sunk in and I was terrified. However, as there were five MILLION people on the few roads north, east and west ahead of the storm, from Houston to New Orleans, we wisely, as it turned out, decided it was safer to stay put. Lake Charles was familiar territory, my husband and I  both had many hurricane seasons of experience under our belts and determined it was better to hunker down there than risk our six children, dog, two cats and household valuables to the uncertainties of an unfamiliar highway full of panicked people on a stretch of geography with unreliable resources and possibly no where to stay at the end. While everything worked out fine I was left with far more respect for and fear of hurricanes than I had as a infinitely more naive six year old child.

I say all this to note that the scenes of voracious storm fury as it literally eats the town were extremely realistic and had me far more frightened of the hurricane than of the two dozen bad guys with machine guns and an impatient attitude. I discovered I had gotten so tense during the movie that I felt slightly ill for a couple of hours afterwards.

Hurricane Heist was an exciting and entertaining adventure and worth the price of admission…….But I'm really glad hurricane season is still a few months away.

Masking tape anyone??

DEN OF THIEVES – KINETIC, EXPLOSIVE (LITERALLY), RED-BLOODED COPS AND ROBBERS

SHORT TAKE:

Octane fueled version of a good old fashioned cops and robbers movie structured like a football film.

LONG TAKE:

I love a good cops and robbers movie where you have the force of law in opposition to the practitioners of chaos. And there are about as many ways to tell a "cops and robbers" movie as there are imaginations to tell it: comedies like the old - itItalian Job, The Great Train Robbery and even Mad, Mad, Mad, Mad World; buddy movies like old - hbThe Hitman’s Bodyguard; movies seen from the perps point of view like old -BCButch Cassidy and the Sundance Kid and old - stingThe Sting; mysteries like old - usThe Usual Suspect; histories like The Pursuit of DB Cooper and old - serpicoSerpico; private eye flicks like old - mfThe Maltese Falcon; parable-like such as old - 3g3 Godfathers or Fargo; ensemble style such as old - ncThe New Centurions; pursuit movies like The Fugitive and The French Connection; even sci-fi like old - BRBlade Runner. Then you have combos. There’s comedy suspense like all the Die Hards; buddy dark comedy like Midnight Run; mystery private eye like Chinatown; sci fi mystery cautionary tale like old - mrMinority Report; dark dark comedy seen from the perp point of view like old - DDADog Day Afternoon; and sci fi comedy mystery like Demolition Man.

It is hard to find a variation that has not been done to death but Den of Thieves artfully manages to pull off a slightly different take. Seen evenly from both the robbers and the police point of view the movie spools out like a Mission: Impossible caper only planned by the bad guys.

The premise is that a group of professional and experienced criminals led by schreiberMerrimen (Pablo Schrieber who happens to be the half – brother of Liev "Wolverine’s brother" Schrieber) are planning to pull off the "perfect" heist – snatching the used and soon-to-be shredded hundred dollar bills from the Federal Reserve before they are missed. Schrieber manages this three dimensional anti-hero with the same confident skill with which he played a pure American hero in 13 hours13 Hours (about the Benghazi embassy terrorist attack).

I have no intention of giving any spoilers, but will assure you that despite what appear to be holes in the plot or preposterous amounts of informational prep in the possession of the crooks, it is a cleanly written and well thought out script.

On the side of the angels-with-dirty-faces is nick4Gerard Butler’s "Big Nick" who heads up an elite team of police with virtually free rein to keep check on the mayhem in this "Bank Robbery Capital of the World". Captions right after the credits point out that L.A. has a bank robbery every 48 minutes. (Remind me not to deposit money if I go visit my brother.) Butler’s Nick informs a would be snitch that they are far less likely to go to the paperwork trouble of arresting you than shooting you. I do not believe this is idle banter. More hound dog and hung over than Bogie, scruffier than Serpico and more heavily weaponized than Rick Deckard from Blade Runner, I suspect Nick would inspire Dirty Harry to run for cover.

Butler dives into his character with tremendous gusto. It’s a bit of a shock to remember that 14 years ago he had thesinging singing lead in imagesGHO8EMK2filmed version of Phantom of the Opera. And only Shakespeare afficianados will recall he and Fiennes co-starred in the cinematic Coriolanus. A very talented guy, he is as at home in the sappy romantic psPS I Love You as he is the unstoppable secret service agent in the

Olympus/London Has Fallen movies. It’s obvious why he has done this over the top popcorn movie – he just enjoys the heck out of chewing up scenery, dialogue, and bad guys as the over the top, over the edge centurion – holding the barbarians at bay.

Rounding out the core of the cast is jacksonDonnie played by O’Shea Jackson, Jr. Jackson is the son of rapper Ice Cube, and had the rare opportunity to play his own father in comptonimagesZYAOZ6J6Straight Outta Compton. Jackson does a marvelous job of portraying Donnie in Den, the sympathetic young driver of the gang of thieves.

A couple of things made this a stand out movie for me. The acting was quite good for this genre, the action scenes were exciting and well edited, all the characters were interesting – showing them personally and professionally in detail, and the caper was both intricate and believable. But one of the innovative items was the approach. The writer-director, Christian Gudegast, who also wrote and directed London Has Fallen, showed both the cops and the robbers often side by side. While showing the bad guys prepping for a heist, the cops are shown prepping for their interception. Merrimen and Nick are both well aware of each other and they not only play cop and robber but cat and mouse, laying tricks and traps along the way. While perhaps not a unique plan of attack, Gudegast carries the theme off in creative and surprising ways which were cinematically well executed.

I also appreciated the fact that while making the bad guys sympathetic in some ways by showing them protective of their children and schreibernot out to create unnecessary mayhem, schreiber2there is no doubt Merrimen's group are the bad guys.  And though the cops committed more than their share of vice, there is no question Nick's men are the ones who protect the innocent and even attempt to treat their dangerous quarry with dignity. So while endeavoring to show all parties as three dimensional, Gudegast does not try to lead us down a garden path of murky gray area as some films do, such as Dog Day Afternoon or Butch Cassidy and the Sundance Kid. Despite the questionable behavior in many of the cops' personal lives, and the sometimes morally and legally questionable activities of our intrepid heroes of the Los Angeles Sheriffs Department, the first scene of rampant bloody destruction by the bad guys leaves us without doubt for whom we should be rooting.

I also enjoyed the parallels of professionalism – the simultaneous prep, the frequent meetings in "random" places – all had the feel of two teams gearing up to meet at the ultimate winner take all championship game. To emphasize this, Gudegast makes a number of references to the fact that several characters on both sides previously had experiences in both the military and on football teams.

So, unless the NFL players start to stand for the Star Spangled Banner, skip the Superbowl and go see Den of Thieves, where there is no doubt as to where your allegiances should lie.

NOT FOR CHILDREN, there is a good deal of profanity, naked women, morally wrong behavior by both "sides" and bloody violence.