AUDIO OPTION OF SPIES IN DISGUISE REVIEW
Poorly thought out computer animated spy spoof with a bad theme.
WHO SHOULD GO:
Adults will be alternately bored or infuriated, older kids will find it too juvenile and kids young enough to enjoy the animation and silly plot shouldn’t be exposed to the inappropriately constructed pacifist theme. So despite there being no profanity and, aside from a naked bottom shown for laughs, no sex — no one should bother.
Spies in Disguise is the latest computer animated venture by Blue Skies Productions whose checkerboard career has included the Ice Age franchise and the well done Horton Hears a Who but also the rather pitiful Robots and pathetic Ferdinand SEE MY REVIEW. Spies in Disguise, both forgettable and regrettable, is not one of their best efforts.
Forgettably derivative, it pulls from a number of other much better movies.
The premise is that a celebrity spy, Lance Sterling (the often terrific Will Smith – Men in Black, I, Robot, I Am Legend, Collaterol Beauty SEE MY REVIEW) is framed for an act of treason by Killian (Ben Mendelsohn from Rogue One and Darkest Hour SEE MY REVIEW) so must seek the help of a tech inventor Walter (Tom “the best Spiderman” Holland), who Lance just had fired (though how this spy had the authority to do that is never explained). Lance is then chased by a team lead by Marcy (Rashida Jones who did such a good job in Klaus SEE MY REVIEW) and aided by “Eyes” (Karen Gillan – fantastic as both Dr. Who‘s Amy Pond and Nebula from Guardians of the Galaxy) from the agency, headed by Joyless (Reba McEntire), for whom Lance is the agency star acheiver.
The plot, by the unsuccessful collaboration of: Lucas Martell, Cindy Davis, Brad Copeland, and Lloyd Taylor is pretty dumb even for a kid demographic parody. You can’t just throw anything up on the screen and expect that, just because it’s animated, it’ll be fun. The success of enterprises like Toy Story 1 ,2 and 3, (my objections to Toy Story 4 are in the REVIEW HERE), The Incredibles or even the old Bugs Bunny cartoons was in part due to being smart and cleverly written, giving something for the adults to enjoy while still being fun and wholesome for the kids. Those first three Toy Stories, Incredibles and Bugs are the kind of entertainment that become classics, as the children who see them now, will grow up to be the adults who will come back to them with their own kids, and see something fresh and new from an adult perspective. The classics offer thoughtful entertainment to a multitude of generations.
Not so with Spies in Disguise which barely has any original thoughts or decent narrative for anybody. For one thing, the lynchpin upon which the entire plot springs, the framing of Lance, is suspension of disbelief breaking-level dumb.
It’s hard to believe that this super secret and heavily intelligence based agency would so readily dismiss their top agent, or that they would not find his claims of a bad guy able to disguise himself as Lance credible. With all the tech demonstrated at their disposal what is INcredible is that the agency DIDN’T believe Lance. So the story was off to a rocky start to begin with.
Despite Disguise featuring some of my favorite actors, I was disappointed by the largely bland performances. But then there’s not much an actor can do with a bad script. The only one who makes any impact is Mendelsohn, who manages to invest the megalo revenge villain with an emotional base that actually made him more interesting and sympathetic than the main characters.
The movie becomes a combo fish out of water, (or rather a bird out of air, as Smith’s character is turned into a pigeon), and then an Odd Couple story as the suave, now bird-ified, Lance must pair with the slight and wide-eyed nerdy inventor Walter. Spies then wanders around in a Mission Impossible miasma and lands at the end of every Bond movie ever – minus the babes in bikinis.
The story is regrettable because it pushes a pacifist agenda in a place for which it is not appropriate. We’re not covering the civil disobedience of Gandhi or the Christian martyrs. These are agents sworn to uphold the law and defend citizens from violent, armed and dangerous madmen. But Walter, who lost his police officer mother in her line of duty, is on a quest, while working for a Get Smart/Men in Black type agency (the latter, no doubt, a nod to Smith’s participation in the Men in Black franchise), to create a line of defensive weapons which theoretically distracts or, at best, hinders the bad guys but does not kill them.
Sorry guys, but the purpose of a military or secret service equivalent agency is to kill people and break things. It is an unfortunate point of fact that endorphin enhancing glitter creating cute kitten shapes won’t stop people who do not play by the same pacifist rules as our intrepid hero.
But really, you might say, it’s only a kid movie. That is true. It is aimed at young children. So when you teach impressionable youths that the good guys are not good guys if they kill the bad guys then you instill in children the idea that happy feelings and party favor prank level gizmos can stem the tide of an opposing force armed with AK47s, missile launchers and nerve gas. Funny how the bad guys never seem to follow those oh-so-touted gun laws.
I saw this kind of mentality back in the 70’s when the soldiers were returning from Vietnam. Make Peace not War. Protestors shoving flowers into the barrels of soldiers, the latter who exercised heroic self restraint. Glorified hippies dodging the draft to smoke weed, behave promiscuously and hang out to the tunes from Yasgur’s Farm while breeding the likes of the pregnant-woman-butchering Manson Family.
Al Quaida, the Gulf Cartel, Aryan Nation, sex traffickers, not to mention the North Korean Army, mobsters, Somali pirates, or an armed thug holding up the diner you’re in don’t follow those cute little rules.
The animation is pretty good – nothing spectacular but adequate to the needs of the story. Kind of (uninspired) Incredibles. Speaking of The Incredibles, and nothing against Reba McEntire, but her heavy Southern accented character Joyless, sounded as though she was channeling Holly Hunter’s Elastigirl, making me suspect the filmmakers knew they were dealing with a very weak movie so employed all the cheap tricks they could think of.
The pigeons were cute, especially Crazy Eyes who was cousin to the indestructable, able to eat anything Alan Tudyk-voiced HeiHei from Moana. And when the reprised version of Hei Hei and the villain are the most interesting characters in the movie, you know you have a problem.
The music by Theodore Shapiro sounded like it was pulled from a barrel of mediocre “spy movie” tropes, culled from theme rejects off of Men in Black, or just tediously loud generic hip hop.
So give this one a miss. If you’re not snoozing through the trite storyline or improvisational sounding dialogue, you’ll be aggravated by the touchy-feeley approach to deadly killers.
Go see Martell’s far more amusing and clever short from which Spies was “inspired”: Pigeon Impossible HERE or just watch The Incredibles again instead.