LIKE ARROWS: THE ART OF PARENTING – 50 YEARS OF REAL ROMANCE

SHORT TAKE:

Another family-endorsing, Christian-centered, Kendrick Brothers movie – this time following 50 years of one couple's epic parenting journey.

WHO SHOULD GO:

Anyone and everyone.

LONG TAKE:

Since 2003 Stephen and Alex Kendrick have focused their careers on making intelligent, funny, engaging, spiritually uplifting, eccumenically Christian themed movies which have jumped the chasm between "religious" movies and mainstream cinema to become an integral part of our popular culture.

Their first, Flywheel, was a modern day Zacharias story about a used car salesman, originally intended only as a learning tool for the Kendrick Brothers' congregation at Sherwood Baptist Church in Albany, Georgia. Flywheel's astonishing success funded the next Kendrick movie, Facing the Giants in 2006, about a high school coach challenged with crises of family, career, and faith. Facing the Giants has the Death Crawl scene, five of the most inspirational minutes on sports "celluloid" I have ever watched. Fireproof in 2008, starring former child star Kirk Cameron, was next, about a fireman trying to rebuild his almost shattered marriage. Courageous, in 2011, is their masterpiece, about four policeman and a civilian friend who confront their shortcomings as fathers. 2015 saw War Room about a marriage shuddering under the weight of deceit. This year the Kendricks bring usLike Arrows: The Art of Parenting.

As overtly Christian themed and occasionally, what mainstream audiences consider, "preachy" movies, these often fall through the cracks of the average movie goers attention. That is a shame because these movies are funnier, warmer, savvier, more clever, more insightful, and will leave you feeling far more satisfied than most of the movies that get a lot of popular "love".

Movies like Titanic and The Notebook get a lot of publicity and huge budgets but they are shallow views of relationships which never get beyond the infatuation stage, rarely include children, and never deal with dirty diapers, resolving petty spousal fights, money issues or any of the other million challenges which face couples on a daily basis. Like Arrows presents a more realistic view of a marriage with far more depth, examining a relationship that endures in true heroic fashion with love, and describes a romance that perseveres for 50 years DESPITE dealing with family estrangements, money problems, career strains, and ……..catastrophically dirty diapers.

In Like Arrows, Charlie (Alan Powell) and Alice (Micah Hanson) are a cute young dating couple. A terrified Alice surprises Charlie with the news that she is unexpectedly pregnant. Charlie "mans up" and the rest of the movie follows them through five decades of marriage and parenting four children. For most of the movie Powell and Hanson are aged. But in the later scenes the elderly couple is portrayed by Garry Nation and Elizabeth Becka. I met Mr. Nation at a Christian Film Festival in connection with his starring role in Polycarp.  He is as gracious and patient off screen as his character is on.

Charlie and Alice’s family will seem very familiar. They are ordinary people who work hard and strive to do their best. But ultimately they discover their best is woefully insufficient to raise morally strong and family connected children without God at the center of their lives.

Again Charlie "mans up," takes responsibility for the family direction and leads them to a more spiritually fulfilling way of life, including spending more quantity (not just a little "quality") time with their kids, at church and in prayer.

The acting is good, the writing natural, often funny and occasionally even profound – Charlie’s best friend Kenneth (Joseph Callender) offers a disillusioned and tired Charlie advice on parenting: "The days are long but the years are short."

The title, Like Arrows, comes from Psalm 127: "Like arrows in the hands of a warrior are children…." They are, as Mr. Kendrick explains, the messages parents send into the future. And, as the movie demonstrates, parents have an unshirkable, irreplaceable responsibility to be sure those arrows are strong and well guided enough to get to their intended destination and that resilience and confidence can best be crafted by working with the Hands of God.

Like Arrows is also the launching point for the new website 

which offers free seminars, sessions and classes on parenting. I’ve checked the website out and while it is a little awkward to maneuver through it is worth the effort. Video sessions are about 6 minutes long and could be done on a daily basis. Registration and access are FREE.

A lot of advice they give would have been considered common sense in previous generations but given the family-hostile culture in which we find ourselves today, the concepts of self and child discipline, lifetime committed marriages, spousal faithfulness, church attendance, prayer, and supervision of one’s child can be innovative life saving ideas to younger couples.

So endorse and encourage these family affirming films by going to see them. Check out Like Arrows where and when available or get it on DVD. Show your kids – likely future parents themselves, inform other young couples with this movie, show friends. Enjoy a 50 year love story with far more substance to it than popular infatuation stories which talk a good game and are fluffy fun to watch but are really only the cotton candy filler that substitutes for the true meat and potatoes commitment demonstrated in movies such as Like Arrows.

GODSPELL – EVANGELICAL FLASH MOB ON STAGE AT LAKE CHARLES LITTLE THEATRE!!

SHORT TAKE:

Lake Charles Little Theatre closes out this season with Godspell, the musical of vignettes from the New Testament, which is performed like a theatrical troupe flash mob.

WHO SHOULD GO:

EVERYONE!!!

LONG TAKE:

Have you ever seen a flash mob? They’re all over Youtube. A bunch of people, appearing to be from all walks of life, converge on a public area: an airport lobby, a playground, a mall – and someone starts to play an instrument or sing a song or dance. Then, one by one, others in their group, camoflaged as passersby, join in with voice or a flute or guitar or in tap shoes and before you know it, there are dozens, if not hundreds, of people singing the "Ode to Joy" or Christmas Carols or tap dancing their hearts out, or like in the faux flash mob with actors from  The Greatest Showman, act out medleys from a Broadway show.

I am always pleased and delighted to watch these coordinated groups who, of a single mind, have the nerve and verve to perform for total strangers. And judging by the smiles, the photographs, and the applause from the suddenly blessed impromptu audience, I am not alone.

While I have never seen one in person, I would travel a considerable distance to be either a participant or an audience member, but by the very nature of the "show," most beneficiaries of these live exhibitions do not know about them ahead of time.

Musicals, like La La Land, have employed this concept since…well, since the advent of the musical. Random strangers all suddenly are inspired to break into song and  hoof coordinated complex dance routines. It's a wonderfully infectious and entertaining trope.

Now, imagine you are minding your own business at an empty baseball field – throwing a ball with your son, having a picnic, walking the family dog.  Suddenly a group of Catechism teachers from various eccumenical branches,  dressed for all walks of life, happen to converge and, inspired, cobble together a series of seemingly impromptu mini-plays, acting out stories and parables from the New Testament – from Jesus' baptism by St. John the Baptist through to Jesus' death. This is Godspell as the actors at Lake Charles Little Theatre truly personify the admonition from Matthew 18:20 that: "For where two or three are gathered together in my name, there am I in the midst of them.”

Godspell, literally from the Anglo-Saxon meaning "Good Story," refers, obviously, to the Gospel or Good News of the New Testament. The show is written as though the characters arrive together by chance unprepared and without anything but the clothes they wear, whatever happens to be lying around on the baseball field, a fervour for the Lord, and a desire to preach and teach the Gospel, enacting "on-the-spot" demonstrations of lessons from the Bible.

The show begins with the chant: "Prepare ye the way of the Lord," and features songs you will find very familiar from your high school years, if you are over forty, and might have heard your parents play or on an elevator somewhere, if you are younger. But THIS is the way you SHOULD hear these songs – live and on stage, sung by people, some of whom I know personally, who are of great faith and mean every word they sing and say.

Unlike the play Jesus Christ Superstar or movies like The Passion, where individual actors step into roles and assume the mantle of that character for the duration of the story, in Godspell the actors are NOT supposed to BE that person, but are only vehicles for the communication of the Gospel message. Ordinary people going about their daily business are inspired to teach the Word. Therefore, there is no disrespect intended when Apostles are dressed in running shorts, or for ballet practice, or in a leather jacket or lab coat, because that is how they are supposed to have showed up for this "come as you are" exercise in missionary work. The actors, thereby, communicate an additional underlying message, that EVERYONE – young, old, whatever gender, whatever your gifts, are all called to evangelize. That when the moment calls to speak up for your faith, you are not to let formality stand in the way, but just jump right in and strike while you have a receptive audience. 

And there is no "gender agenda," but only a "necessity of convenience agenda" when a group of ladies ham it up with fake beards as Pharisees or a young lady responds as Peter – there are simply not enough men in the available cast. (MORAL TO THIS PART OF THE STORY – You guys in Lake Charles – MAN UP AND AUDITION!!!)

Clay Hebert, a staple in both local independent films and community, high school and college theater for over three decades, speaks on behalf of Jesus in an Astros shirt. Unsurprisingly, he has the command of both the stage and the Gospel message. I've known Clay since he had hair and have always been impressed by him as a brilliant example of the RIVER of talent that flows through our city. Kirsten Bush, Heather Partin, Zoe LeBeau and Joseph Comeaux are very familiar figures on our Lake Charles stages. And the rest of the performers shine as well: Clay Corley, Rebecca Harris, Virginia-Kate Jessen, Theresa Hay Needham, Taylor Novak-Tyler, Liz Rentrop Trahan, and Jaylin Williams all round out a cast which embodies a wide variety of roles: from the fallen woman Jesus saves from stoning, to the wealthy merchant who will not live to enjoy their earthly treaures, to the rich man who ignores Lazarus; from Caiaphas, to a temptress Devil, to the ungrateful servant, and those healed by Jesus. All the stories these delightful actors tell will be well known and beloved to even a casual student of the Bible. It is a joy to see these stories play out and hear the  beautiful singing. These very familiar songs, which can grow stale over time with indifferent repetition, come alive with the energy of immediate re-enactment that this talented troupe brings to the stage.

Greg Stratton, with a resume longer than my arm, gifted actor and director, corrals all this enthusiasm into the Godspell that we enjoyed, masterfully inspiring his cast, bringing out the best of their vocal and acting talents, making the challenge of directing so many performers constantly on stage look effortless. I have had the privilege of watching Greg direct up close and his creativity, love for the theatre and respect for his performers comes through clearly. Greg has an enormous repertorie, wearing the hats on and off the stage in comedies and dramas alike.  

A theatrical master magician who, like Prospero in The Tempest, is able to make his audience weep or laugh, Greg manages to do both in this funny, joyful, and emotional modern re-presentation of Bible stories.

So go see Godspell at Lake Charles Little Theatre as soon as you can – the run is only through April 29th – and be uplifted as only a live retelling of the Bible can be where two or more are gathered in His name.

AND I APOLOGIZE FOR THE PAUCITY OF PHOTOS FROM THE SHOW – MY ACCESS TO PICTURES WAS VERY LIMITED. IF ANYONE FROM THE CAST WOULD LIKE TO CONTRIBUTE PHOTOS FROM THE PRODUCTION PLEASE SEND THEM TO MY E-MAIL AT: KBARRILLEA@SUDDENLINK.NET AND I WOULD BE DELIGHTED TO ADD THEM TO THIS BLOG IF AT ALL POSSIBLE.

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