WHO SHOULD GO:
Language immersion is a great way to learn a foreign language in all its many delights. Sous vide is a water immersion technique which gourmet chefs use to produce delectable meats. And Lake Charles Little Theatre presents a verbally and visually delicious, completely Shakespearean immersion experience, starting Friday, November 8, 2019, in their production of Taming of the Shrew, directed by 26 year stage veteran and Professor of Theatre Arts at McNeese University, Charles McNeeley, and stage managed by the tried and true staple of Lake Charles Little Theatre, Dan Sadler.
Taming of the Shrew is a love story with a twist, where the immovable object meets the unstoppable force and a most unusual courtship gets underway. Katherine, beautiful, rich and unmatchably pugnacious, must, by her mother’s decree, be wed before her demure younger sister Bianca can walk up the aisle. Providentially arrives Petruchio, set to expand his existing inherited fortunes to a wealthy woman, he launches into a bawdy, rousing, explosive battle of wills with the woman he is determined to make his wife.
Original period music written by David Ifland sets the mood in the theatre. Artist (Sean Hinchee, who also comes forth as the Haberdasher) and Fruit Vendor (Ashley Vidrine who also plays Josephine, a servant in Petruchio’s house) populate the stage providing the opening peep through this 16th century window from the comfort of your cat-bird seat. Funny, exciting, and romantic, this is Shakespeare’s most beloved battle of the sexes. The performers throw themselves – sometimes literally – into their roles, as actors enter down aisles, embrace the stage in force and occasionally even break the fourth wall.
Raye Floyd, returning to the stage for the first time since middle school, is in full on fiery Liz Taylor mode. Her rough Katherine meets her match only in Petruchio, Louis Barrilleaux’, fresh from leads in Dirty Rotten Scoundrels and Arsenic and Old Lace, whose wildly commanding and eccentric personality is undaunted by the formidable Kate. Shakespeare’s witty banter is used to its full as these skillful thespians wrestle their way through this classic, combative and comedic courtship.
The supporting cast is also brilliant. Petruchio’s attendant, Grumio is played by Kassie Coltrin, channeling both Puck and Tinkerbell as she reacts to the insane antics of her master and new mistress. Lucentio’s Antonio Dre (Bye Bye Birdie) and Anna Sternaman’s Bianca establish an instant chemistry that make their airing an inevitability. Rebecca Harris (Arsenic and Old Lace) skillfully meets the challenge of Lucentio’s attendant, Tranio, as she is required to portray a character who portrays yet another character. Dylan Conley (Arsenic and Old Lace) plays the rebuffed suitor Hortensio with comic frustration. Taylor Novak-Tyler (Dirty Rotten Scoundrels, Bye Bye Birdie) is completely relatable as Baptista, the put upon parent of these two very different daughters. Rounding out the cast is a wonderful ensemble of veterans and newbies. Andres Germosen method acts as the comedic and elderly Gremio, third suitor to Bianca. Biondello, one of Lucentio’s servants, is Rylee Hall. Jeffrey Underwood performs as both Curtis, a servant of Petruchio and Vincentio, father to Lucentio. Aimee Mayeux (Dirty Rotten Scoundrels) does double duty as both Hortensio’s rebound wife, the Widow and as the Tailor. Philomene and Petrah, both servants of Petruchio’s house are played, respectively, by Alex Hebert and Neveah Brown. Matt Dye, on-air personality for KKGB, sports mavin and Sowela professor, does a cameo as the Merchant who pretends to be Vincentio.
Several roles normally played by men are performed by women due to the practicalities of the available cast. They make themselves completely at home in the oft rough and tumble vaudeville antics inherent in the action. This is completely in keeping with Shakespearean tradition inasmuch as Shakespeare had the reverse problem, for cultural and legal reasons of the time, having to employ men for women’s roles. It is one of the many genius’ of Shakespearean plot and dialogue that Will S’s universal stories, which strike deeply into the fundamentals of human nature, can be portrayed across cultural, gender and chronological lines with ease.
The cast conveys the often complex dialogue with virtuosity as the iambic pentameter comes trippingly off their tongues in a way which, with their actions and emphasis, make the Shakespearean heightened language easy to understand even for the novice.
So go see Taming of the Shrew – this funny, romantic, explosively energetic, delightful period piece of deliciously Shakespeare literature at the Bard’s story-telling best, at Lake Charles Little Theatre from November 8 through November 24, 2019. Get your TICKETS HERE! Get them early as you’ll want to see this unique romance more than once!
Lively, charming, upbeat, family friendly musical comedy based loosely on the departure of Elvis for the Army draft at the height of his popularity.
WHO SHOULD GO:
Anyone and everyone can and should attend this fun 1960’s retro musical.
OPENING LAKE CHARLES LITTLE THEATRE THROUGH APRIL 28, 2019 – BUY TICKETS HERE.
1958. And at the height of the career of one of America’s most famous singing icons, during the age of the mandatory military service – he was drafted. Elvis’ fans about lost their collective minds. His manager of questionable ethics, “Colonel” Tom Parker, turned down multiple offers by multiple branches to have Mr. Presley assigned to cush duty in the entertainment special services. Not only did he not want his prize cash cow to sully his reputation as a “celebrity wimp out,” but more importantly, if Elvis had served as an entertainer, the military branches would have had FREE access to those recorded performances in perpetuity. So off to the army, as a regular Joe, Elvis went, where he served honorably and with some distinction, rising to the rank of Sergeant and qualifying as an expert marksman upon his discharge.
In 1960, a parody musical based loosely upon the personalities, if not the exact details, of Presley’s historic departure for boot camp and active duty opened on Broadway.
The story is of a financially desperate mama’s boy, Albert, about to lose his first big singing client, Conrad Birdie, to the draft. He and his emotionally desperate girlfriend, Rose, who he has strung along for eight years, hatch a plot to turn chicken feathers into chicken salad by turning Conrad’s departure into a publicity stunt.
They choose one of the thousands of rabidly fanatic members of Birdie’s fan clubs, Kim MacAfee of small town Sweet Apple, Ohio, at random for him to bestow a last pre-induction kiss on national television. The insanely anticipated event turns Kim, her jealous boyfriend Hugo, her straight-laced overwhelmed parents, Doris and Harry, all the other fan members, and her town of Sweet Apple, not to mention the nation, on their respective ears.
And so the stage is – literally – set for the hilarious nostalgic musical comedy, Bye Bye Birdie, playing at Lake Charles Little Theatre (from April 13 through April 28, 2019 – shows start at 7:30 with Sunday matinees starting at 2 pm).
Directed by stage veteran Randy Partin, the set is simple with scene changes accomplished with moved furniture, sign changes and backlit photos. This is to keep the focus on and leave ample room for the joyous and energetic song and dance filled plot, choreographed by Karly Marcantel.
Albert is played with Phil Silvers-like restrained comedic panic by Cameron Scallan, singing and dancing such universally known tunes as “Put on a Happy Face” with Dick Van Dyke (who played this role both on stage and in the movie) style. Rose is Taylor Novak as the put upon brains and backbone of the company as she belts out boisterous numbers like the catchy “Spanish Rose”. Heather Foreman finds just the right comedic balance in the contradictions of the wide-eyed, naïve and budding Kim, with clear and innocent conviction, as she beautifully serenades the audience with songs like “How Lovely to be a Woman” while donning Tom-boy duds, singing “One Boy” to Hugo while swooning over Conrad, and “What Did I Ever See in Him?” These leads belt out sometimes challenging tune and patter lyrics with infectious enthusiasm.
The main supporting characters are Ashley Dickerson as interfering pushy mother Mae; Jordan Gribble, Amber Netherland and Cole Becton as Kim’s family; Antonio Dre as Conrad, and Wiliam Stanfield as Hugo.
So for some clean, musical retro fun – go see Bye Bye Birdie before this wonderful play says “Bye Bye” to Lake Charles.
Lake Charles Little Theatre closes out this season with Godspell, the musical of vignettes from the New Testament, which is performed like a theatrical troupe flash mob.
WHO SHOULD GO:
Have you ever seen a flash mob? They’re all over Youtube. A bunch of people, appearing to be from all walks of life, converge on a public area: an airport lobby, a playground, a mall – and someone starts to play an instrument or sing a song or dance. Then, one by one, others in their group, camoflaged as passersby, join in with voice or a flute or guitar or in tap shoes and before you know it, there are dozens, if not hundreds, of people singing the "Ode to Joy" or Christmas Carols or tap dancing their hearts out, or like in the faux flash mob with actors from The Greatest Showman, act out medleys from a Broadway show.
I am always pleased and delighted to watch these coordinated groups who, of a single mind, have the nerve and verve to perform for total strangers. And judging by the smiles, the photographs, and the applause from the suddenly blessed impromptu audience, I am not alone.
While I have never seen one in person, I would travel a considerable distance to be either a participant or an audience member, but by the very nature of the "show," most beneficiaries of these live exhibitions do not know about them ahead of time.
Musicals, like La La Land, have employed this concept since…well, since the advent of the musical. Random strangers all suddenly are inspired to break into song and hoof coordinated complex dance routines. It's a wonderfully infectious and entertaining trope.
Now, imagine you are minding your own business at an empty baseball field – throwing a ball with your son, having a picnic, walking the family dog. Suddenly a group of Catechism teachers from various eccumenical branches, dressed for all walks of life, happen to converge and, inspired, cobble together a series of seemingly impromptu mini-plays, acting out stories and parables from the New Testament – from Jesus' baptism by St. John the Baptist through to Jesus' death. This is Godspell as the actors at Lake Charles Little Theatre truly personify the admonition from Matthew 18:20 that: "For where two or three are gathered together in my name, there am I in the midst of them.”
Godspell, literally from the Anglo-Saxon meaning "Good Story," refers, obviously, to the Gospel or Good News of the New Testament. The show is written as though the characters arrive together by chance unprepared and without anything but the clothes they wear, whatever happens to be lying around on the baseball field, a fervour for the Lord, and a desire to preach and teach the Gospel, enacting "on-the-spot" demonstrations of lessons from the Bible.
The show begins with the chant: "Prepare ye the way of the Lord," and features songs you will find very familiar from your high school years, if you are over forty, and might have heard your parents play or on an elevator somewhere, if you are younger. But THIS is the way you SHOULD hear these songs – live and on stage, sung by people, some of whom I know personally, who are of great faith and mean every word they sing and say.
Unlike the play Jesus Christ Superstar or movies like The Passion, where individual actors step into roles and assume the mantle of that character for the duration of the story, in Godspell the actors are NOT supposed to BE that person, but are only vehicles for the communication of the Gospel message. Ordinary people going about their daily business are inspired to teach the Word. Therefore, there is no disrespect intended when Apostles are dressed in running shorts, or for ballet practice, or in a leather jacket or lab coat, because that is how they are supposed to have showed up for this "come as you are" exercise in missionary work. The actors, thereby, communicate an additional underlying message, that EVERYONE – young, old, whatever gender, whatever your gifts, are all called to evangelize. That when the moment calls to speak up for your faith, you are not to let formality stand in the way, but just jump right in and strike while you have a receptive audience.
And there is no "gender agenda," but only a "necessity of convenience agenda" when a group of ladies ham it up with fake beards as Pharisees or a young lady responds as Peter – there are simply not enough men in the available cast. (MORAL TO THIS PART OF THE STORY – You guys in Lake Charles – MAN UP AND AUDITION!!!)
Clay Hebert, a staple in both local independent films and community, high school and college theater for over three decades, speaks on behalf of Jesus in an Astros shirt. Unsurprisingly, he has the command of both the stage and the Gospel message. I've known Clay since he had hair and have always been impressed by him as a brilliant example of the RIVER of talent that flows through our city. Kirsten Bush, Heather Partin, Zoe LeBeau and Joseph Comeaux are very familiar figures on our Lake Charles stages. And the rest of the performers shine as well: Clay Corley, Rebecca Harris, Virginia-Kate Jessen, Theresa Hay Needham, Taylor Novak-Tyler, Liz Rentrop Trahan, and Jaylin Williams all round out a cast which embodies a wide variety of roles: from the fallen woman Jesus saves from stoning, to the wealthy merchant who will not live to enjoy their earthly treaures, to the rich man who ignores Lazarus; from Caiaphas, to a temptress Devil, to the ungrateful servant, and those healed by Jesus. All the stories these delightful actors tell will be well known and beloved to even a casual student of the Bible. It is a joy to see these stories play out and hear the beautiful singing. These very familiar songs, which can grow stale over time with indifferent repetition, come alive with the energy of immediate re-enactment that this talented troupe brings to the stage.
Greg Stratton, with a resume longer than my arm, gifted actor and director, corrals all this enthusiasm into the Godspell that we enjoyed, masterfully inspiring his cast, bringing out the best of their vocal and acting talents, making the challenge of directing so many performers constantly on stage look effortless. I have had the privilege of watching Greg direct up close and his creativity, love for the theatre and respect for his performers comes through clearly. Greg has an enormous repertorie, wearing the hats on and off the stage in comedies and dramas alike.
A theatrical master magician who, like Prospero in The Tempest, is able to make his audience weep or laugh, Greg manages to do both in this funny, joyful, and emotional modern re-presentation of Bible stories.
So go see Godspell at Lake Charles Little Theatre as soon as you can – the run is only through April 29th – and be uplifted as only a live retelling of the Bible can be where two or more are gathered in His name.
AND I APOLOGIZE FOR THE PAUCITY OF PHOTOS FROM THE SHOW – MY ACCESS TO PICTURES WAS VERY LIMITED. IF ANYONE FROM THE CAST WOULD LIKE TO CONTRIBUTE PHOTOS FROM THE PRODUCTION PLEASE SEND THEM TO MY E-MAIL AT: KBARRILLEA@SUDDENLINK.NET AND I WOULD BE DELIGHTED TO ADD THEM TO THIS BLOG IF AT ALL POSSIBLE.
GET YOUR TICKETS AT THE WEBSITE BELOW: