CLUE – FROM BOARD GAME TO MOVIE TO STAGE – PLAYING THIS MONTH AT ACTS THEATRE

SHORT TAKE:

Mostly family friendly spoof on murder mysteries, based on the board game of the same name and translated from the eponymous movie, Clue, playing at ACTS Theatre for the next three weekends – October 11 – October 27, 2019 – get your tickets HERE.

WHO SHOULD GO:

Everyone. Aside from a little bit of mild profanity and some very light jabs at religion and alternative lifestyles, this is a family friendly show. There’s no sexual activity, no real violence and the murders are part of the buffoonery and played for healthy laughs. Older people will get the jokes and kids will enjoy the slapstick.

LONG TAKE:

In 1945 Anthony Pratt invented a family past time based upon the idea of a murder mystery. He called it Cluedo but we all know it as Clue. In the 1980’s John Landis (director of Trading Places, Oscar and National Lampoon’s Animal House) became possessed with the idea of making Clue into a film. Despite being star studded and wielding a $15 million budget it flopped hard at the box office but has since become a cult sensation boasting of: a novelization, its own fan club, Youtubes coming to its defense, an off-Broadway musical, a campaign to remake it with Ryan Reynolds in the lead, and a live theatrical version.

Landis’ Clue was the first of its kind, a movie made from a board game. It starred some of the most talented comedians of the time: Tim Curry, (who lists this along with Muppet Treasure Island as two of his own favorite movies in which he was cast), Madeline Kahn (Blazing Saddles, Young Frankenstein) whose now classic dry description of how much she hated one of the other characters “flames on the side of my face” left fellow cast mates struggling to maintain their professional composure during the scene and was the only ad lib allowed to stay in the tightly disciplined and rehearsed shooting schedule, Martin Mull (FM, Jingle all the Way and guest spots on a zillion TV shows), Christopher Lloyd (Back to the Future, and the classic TV show Taxi), Eileen Brennan (FM, The Sting, and another parody murder comedy Murder by Death), Leslie Ann Warren (Rodgers & Hammerstein’s Cinderella, Victor/Victoria), and Michael McKean (Laverne and Shirley).

I mention all this to point out what big shoes the cast and crew for ACTS latest production of the theatrical Clue have to fill, and fill them they do.

The story concerns a group of strangers who gather at the summons of a mysterious stranger, aptly named Mr. Boddy, (no that is not a misspelling) to a spooky and isolated house on a stormy night for an evening of revelations. The guests get more than they bargained for. With characters named and colorfully costumed in keeping with the pieces in the Clue game, in a house laid out like the original Hasbro product, it becomes immediately apparent that there will be far more vaudeville than violence and more mugging than mayhem. Pratfalls and slapstick laughs are the coinage of the evening as fun is poked at the genre which has long been home to the likes of the far more austere Agatha Christie and Sherlock Holmes.

Stepping up to the plate for the inimitable Mr. Landis to direct is our own Clay Hebert, veteran of decades of productions all over Lake Charles from McNeese to ACTS to Lake Charles Little Theater and even Hollywood, for whom this play has been a two year dream project.

Clever use is made of the stage in which quick changes and even quicker stage hands move props on and off to represent the many rooms of the house and in the board game: hall, library, study, etc.

Wadsworth, the butler and audience liason, is played by Aaron Webster ( just having finished a similarly sinister role in Arsenic and Old Lace for ACTS). Mrs. White is Kelly Rowland (also from Arsenic) who can’t seem to resist roles of sweetly homicidal ladies. Dylan Conley is Colonel Mustard. Miss Scarlet is played by Taylor Novak-Tyler (Steel Magnolias and Dirty Rotten Scoundrels).  Robert Goodson (Dirty Rotten Scoundrels, Spamalot) lends his unique brand of physical comedy to liven up Mr. Green. Stacy Solak (recently in Bye Bye Birdie) is a scene stealing Mrs. Peacock, and does double duty as aide-de-camp to Clay in the offstage role of assistant director. Zac Hammons (Dirty Rotten Scoundrels) is Professor Plum. Yvette, the maid – not a board game piece but a character from the movie – is played by Kaylen Peters. Similar to the way the Swiss Army Knife of performers who portrayed a multiplicity of characters was used in The 39 Steps, Lauren Manuel and Lewis Paxton fill in variously for: Mr. Boddy, the Cook, the Motorist, the Singing Telegram Girl, and Police Officers.

Lending their respective wifely supports as well as extraordinary talents  to this production in general and Aaron Webster and Clay Hebert in particular are Kris Webster and Markie Hebert who functioned as co-producers.

A brave Catheryn Fredericks helps wrangle this motley crew of comedians together as the stage manager.

MILD SPOILER

Sorry movie fans –      – there is only one ending.

So go join this humorously homicidal troupe as they give it their all to give you a ….. Clue.

TICKETS HERE.

BEYOND HERE BE POSSIBLE SPOILERS SO CONTINUE AT YOUR OWN RISK — OH WAIT THAT’S DIFFERENT BOARD GAME……

MAMMA MIA! EXUBERANCE PERSONIFIED IN THE ADORABLE HEARTWARMING MUSICAL PLAYING AT ACTS THEATRE IN LAKE CHARLES, LA

 

SHORT TAKE:

Upbeat and joyous musical comedy cobbled from the wildly popular songs of ABBA, about a young woman who invites three men who might be her father to her wedding and the lighthearted ensuing fallout therefrom.

WHO SHOULD GO:

There is a bit of light innuendo played for comic buffoonery and a slight bit of mild language but it is the premise of the story that makes this really for mid-teens, with appropriate informed parental discretion, and up.

ALSO – there’s LOTS more pictures on their way which I’ll be adding and even changing over the next day or two – so check in again SOON!!

Also also – we incorporated as many pics as we could into the text of the blog but we couldn’t put them ALL so we have put DOZENS more at the end of the blog and MORE will be added in the next few days – so CHECK OUT PAST THE END OF THE BLOG FOR MANY MANY MORE PHOTOS!!!

LONG TAKE:

If you find yourself feeling down this weekend, boy have I got a cure for you. There is not a prescription in existence that will cheer you up the way Mamma Mia! will. And I challenge anyone to not find themselves helplessly and happily tapping along to the catchy, memorable and upbeat ABBA tunes.

Like the title of Shakespeare’s “Scottish play” the name ABBA is not technically supposed to be mentioned, but as a member of the audience, in case you didn’t know, Mamma Mia! is based on the music of this “unnamed” band, a Swedish pop group which exploded onto the musical scene in the late 1970’s and whose music is now ubiquitous from movies to elevators all over the world. Inspired by the theatrical possibilities of The Winner Takes it All, that song stands as the center showpiece of the plot written by Catherine Johnson.

Opening this Friday, May 31 and playing through June 16 where TICKETS ARE AVAILABLE at Lake Charles’ ACTS Theatre, 7:30 pm June 1, 7, 8, 14 & 15 with Sunday Matinees at 3 pm on June 2, 9 and 16, Mamma Mia is almost an opera buffa. Directed by veteran thespian Walt Kiser, Mamma Mia! jumps like musical parkour, from song to song, avoiding dialogue almost completely. Why say something when you can SING IT! And a more joyous heartfelt set of songs you would be hard pressed to find anywhere.

Even the saddest of the songs will make you smile with their deliciously sappy romanticism. Mamma Mia! dances from Honey, Honey to I Have a Dream, Dancing Queen, SOS, Super Trooper and of course Mamma Mia, as the play lyrically tells its story.

Sophie, a young bride-to-be, has been raised by her single mom, Donna, on a Greek Island. Desperate to find out who her father is and wanting his presence at her wedding, 20 year old Sophie peruses her mother’s diary, and discovers that Donna had had one wild and crazy couple of weeks … about 20 years before. So, behind her mother’s back, Sophie sends a wedding invitation to the unknowing lucky pater familias    — all three of them – Sam, Bill and Harry.  The three unsuspecting men, clueless to their possible fatherhood, show up and the awkward situation escalates comically with every musical number.

The set is in authentic Athens blue highlights, the costumes brightly colorful, the singing strong, and the cast infectiously enthusiastic.

Paula McCain, who recently added her considerable acting talents to McNeese’s The Crucible, leads as Donna. Heather Foreman, fresh from ACTS’ Dirty Rotten Scoundrels, LCLT’s Bye Bye Birdie and McNeese University’s Songs for a New World, captivates the audience as Sophie, bringing beautiful youthful exuberance to The Name of the Game and Lay All Your Love on Me.

Casey Doucet, who also serves as musical director, plays Sam, Donna’s first “one who got away”, bringing the same commanding poignancy from ACTS’ Shrek to his half of Mamma Mia‘s star crossed lovers, Sam. Michael Ieyoub is Harry and Mark Hebert is Bill, who endearingly and humorously play the other two Dad candidates.

Krystal Smith as Tanya and Veronica Williams as Rosie take the stage as the singing/dancing best friends of Donna, belting out the likes of Super Trooper and Take a Chance on Me.

Sky, Sophie’s fiancé,  is played by Joshua Peterson. Louis Barrilleaux is Pepper the lecherous bartender, Kane Todd is Eddie, Donna’s assistant, Diki Jines is their Catholic priest, and Anita Fields-Gold is the local island’s watchful kindly dowager.

The amazingly talented dancing troupe of Gracie Myers, Joley Fontenot, Eli Prudhomme, Jay Prudhomme, and Hannah Daigle periodically steal scenes as they punctuate the emotions and songs with near acrobatic choreography.

Kelly Rowland and Lori Tarver are Sophie’s best buds and bridesmaids, Ali and Lisa, aiding with Honey, Honey and others. Rounding out the ensemble and lending their voices and dancing skills, are: Alaina Goins, Amber Zuniga, Kristine Alcantra,  Teresa Marceaux, Taylor Novak-Tyler, Ashley Dickerson,  Zach Benoit, and Dan Sadler.

Brahnsen Lopez is stage manager. Producers are Diane Flatt and Mark Hebert.  Lauren Fontenot is their choreographer and Kris Webster the costumer.

So come to ACTS Theatre, to sing and dance your blues away, with the troupe from Mamma Mia!

 

MORE ON A SUPPLEMENTARY POST FOR MAMMA MIA!

 

 

 

 

ARSENIC AND OLD LACE – A DELIGHTFUL COMEDY OF TERRORS AT OUR OWN LAKE CHARLES, LA ACTS THEATRE

AND IF YOU LIKE THESE REVIEWS PLEASE SUBSCRIBE! THEN YOU'LL GET     EVERY NEW REVIEW SENT STRAIGHT TO YOUR E-MAIL!!

GO TO THE BOTTOM OF THE LEFT HAND SIDE AND TYPE YOUR E-MAIL IN – IT (SHOULD BE) THAT EASY. ANY PROBLEMS PLEASE SEND ME A COMMENT AND I'LL DO MY BEST TO RESOLVE YOUR ISSUE.

 

 

 

The Addams Family was an endearing bunch of creepy oddballs. Appearing like zombies, witches and vampires they were actually a loving Mom, Dad, kids and extended family of rich and philanthropic homeschoolers.

The family of Queen Eleanor and King Henry II, in the classic Lion in Winter were not so companionable, and battled continuously with each other throughout the play. Different members bond with, then betray, each other, jockeying for power, land, revenge, attention, or love. At the end of a particularly vicious argument with her husband, Eleanor, left sitting on the floor in the doorway, gathers herself together and to self-console muses: "Well, what family doesn’t have its ups and downs?"

The Guardians of the Galaxy is a band of violent and ethically questionable outlaws and vigilantes who come together as a family unit in part to (re)raise Groot, who is a sentient tree. (See my review on that one here .)

NONE of them have anything on the Brewsters.

The premise of Arsenic and Old Lace is that Mortimer, a once cynical-of-romance theater critic, now totally smitten and freshly engaged to Elaine, the girl next door, goes to his sweet, loving, maiden aunts’ home for a visit and to break the good news.

In residence is his adorable Uncle Teddy, who thinks he is President Theodore Roosevelt, periodically charging up the stairs he knows as San Juan Hill and digging grave sized locks in the basement, which he thinks is the Panama Canal. Hovering in the background is the ominous, but so far absent, other brother, Jonathan. And so the stage is literally set for this very black and very funny slapstick comedy about a family which would put the Guardians on alert, make the Addams Family startle, and have both Henry and Eleanor running for cover. Bodies pile up and are switched like the plates of tuna in Noises Off or the suitcases from What’s Up Doc, identities are hidden and a good time is ultimately had by all…except for the corpses…in Arsenic and Old Lace.

I hesitate to say more for the benefit of those readers who have not seen either the play or the brilliant 1944 movie directed by Frank Capra and starring Cary Grant. If you don’t know the story it is just too delightful to spoil. If you do know some of the details then it will be like going back for seconds of your favorite ice cream.

Clay Hebert, the director and Officer Klein, is a familiar and welcome face from every stage Lake Charles offers. He has a resume which spans from McNeese's Theater to ACTS, and from Lake Charles Little Theatre to the Bayou Players and independent film productions all over Lake Charles. Clay artfully guides this fairly large cast through the quick draw and fast paced humor of Arsenic, which is to comedy what very dark and deliciously bitter semi-sweet morsels are to chocolate chip cookies, skillfully leading his troupe over that tightrope between horror and humor.

Louis Barrilleaux, another talented veteran of ACTS, LCLT and McNeese for over 20 years, is Mortimer, the eye around which this storm circulates.

Kelly Rowland and Sarah Broussard, respectively as Martha and Abbey Brewster, age themselves convincingly 50 years to play Mortimer’s adorably naive and unassuming aunts whose home is the site for some rather….unexpected events. Both ladies have degrees in performance, Kelly in music and Sarah in theater, with a wide and diverse range of acting credits.

Rebecca Harris, an actress with an impressive resume, is Mortimer’s confused but stalwart fiancee.

Aaron Webster, a self-described reluctant actor, is eminently creepy as Jonathan, the ne'er-do-well prodigal brother.

Brahnsen Lopez, another stage veteran, plays Jonathan’s would-be repentant colleague, Dr. Einstein (not Albert).

Matt Dye, local radio personality and frequently cast in small but scene stealing roles, does it again as Teddy.

Mark Hebert, Dusty Duffy, Dylan Conley and Kathy Heath round out the cast with memorable supporting characters.

 

The set is terrific, creating the authentically homey, gentle parlor of two elderly aunts, making the sinister events all the funnier for the contrast, complete with two sets of stairs and a landing up and through which Teddy has the freedom to charge with abandon, a window seat which can house…various and sundry… and French doors through which the characters are free to pop in and out.

I was privileged to interview Diki Jines, master electrician on the set and will have his interview clips up shortly below, talking about the set, its design and a little background.

Timing and blocking are very key, especially in this comedy of terrors and Clay has the tempo and coordinated actions and responses wound like a Swiss Cuckoo clockwork.

It’s a joy to watch a stage full of such talented veterans work smoothly together, and the fact most are old friends and/or fellow thespians, who have trod the boards often together, helps catalyze the chemistry that makes this play full of intimately connected characters work. These performers know each others’ rhythms and make the most of their considerable pool of experience to bring us a delightful evening of fun and fright, chills and chuckles, comedy and carnage, shocks and snickers, jocularity and jump scares.

So go warm up — or chill out — in anticipation of Halloween at ARSENIC AND OLD LACE. But be sure to BYOW. (Bring your own wine.)

BUY TICKETS HERE, OR CALL (337) 433-2287

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE – MUST SEE MUSICAL COMEDY FOR MARRIED COUPLES

SHORT TAKE:

I Love You, You're Perfect, Now Change is a very very funny musical comedy revue about dating, marriage, men, women and relationships.

WHO SHOULD GO:

For adults in general and married couples in particular. Might be an awkward first date but is positively a MUST SEE for married couples.

AND IF YOU LIKE THESE REVIEWS PLEASE SUBSCRIBE! THEN YOU'LL GET     EVERY NEW REVIEW SENT STRAIGHT TO YOUR E-MAIL!!

GO TO THE BOTTOM OF THE LEFT HAND SIDE AND TYPE YOUR E-MAIL IN – IT (SHOULD BE) THAT EASY. ANY PROBLEMS PLEASE SEND ME A COMMENT AND I'LL DO MY BEST TO RESOLVE YOUR ISSUE.

LONG TAKE:

I Love You, You're  Perfect, Now Change is the latest play showing at ACTS Theatre from August 3 through 12 at 7:30pm, and Sunday matinees at 3:00pm. I was privileged to get permission to attend the dress rehearsal and must say it was some of the most fun I have ever had in the theater!

A musical comedy revue of twenty skits with over 40 characters and costume changes, are played by four very gifted actors. Clay and Markie Hebert, Kelly Rowland and Casey Doucet make up the intrepid quartet who sing and act up a storm of laughs and a few bittersweet tears.

They all have AMAZING and powerhouse voices with NO INDIVIDUAL MICROPHONES! They sure don't need them. I would have sat for 90 minutes and enjoyed listening to them sing random songs out of any Broadway collection but each of the diverse vignettes is fitted with a catchy song crafted specifically for the tone of the short story it tells sung by its own unique characters. The wide story range stretches from poignant to snarky to slapstick to tender and all will make you smile as they lead you, not only from the beginning of relationships through their maturities, but guide you through every possible emotion a romantic might have.

Clay Hebert does double duty as director, aided by his assistant Ashley Mayeux. Clay was most recently in Godspell. Markie Hebert was the female lead in Dirty Rotten Scoundrels. Casey Doucet just won an ACTA for his Shrek in the play of the same name. Kelly Rowland is a powerful mezzo-soprano with a flare for comic timing. There is a fifth member of the troupe who is not seen but heard. Andrew Steiner delights the audience with live piano accompaniment, expertly blending these four strong voices.

This is a hilarious send up on the loneliness and difficulties of dating, the challenges of marriage, the tragedy of divorce, and the optimism that it is never too late to find love. With twenty musical vignettes presented for your approval, there is something for everyone involved in the marriage adventure. 

Kelly Rowland and Casey Doucet portray an ecclectic collection of characters who are, at turns: hilariously ridiculous, heartwrenching, and adorable.

Clay and Markie Hebert also have a wide variety of personalities to perform, but the scenes where Clay and Markie play man and wife are especially charming as they are married in real life with three little boys. So, for them, this play isn't an observation but a strange kind of out-of-body experience, as they humorously have an opportunity to re-emerse themselves in the excitement, pratfalls, heartbreak, frustrations, and soul fulfilling contentment that highlights the different stages of dating, and varied relationships, with the hope of culminating in the lifetime marital committment.

Make your plans quickly as you'll likely want to see this gem more than once and it only runs through August 12. Get your tickets at ACTS THEATRE